Like Marilyn Singer’s “Mirror, Mirror” before it, Bob Raczka’s “Lemonade and Other Poems Squeezed from a Single Word” uses a special, somewhat gimmicky hook to interest reader in poetry.  Singer uses the form of the reverso (see my review here), while Raczka creates poems out of single words.  In each case, the poet’s self-imposed restrictions provide a special challenge to making meaning and art.

Raczka’s technique inherently limits the poem’s topic, length, and depth. ...


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